Abstract
Abstract: This article explores the tension between the erotics of the wounded body of Saint Sebastian and its function as a devotional image. Focusing on representations of the saint within the Counter-Reformation context, particularly in the works of Guido Reni, the analysis examines the rhetoric of the image associated with the figure of the saint in the early modern period. As a brief counterpoint, two contemporary reinterpretations of his image—those by Yukio Mishima and Miles Greenberg— aim to highlight a continuous movement from the erotics of the suffering body to the erotics of the sacred.
STOA is a biannual publication edited by the Institute of Philosophy of the Universidad Veracruzana, Tuxpan, No. 29, Frac. Veracruz, C.P. 91020, Xalapa, Ver., Tel. 8154285, http://www.uv.mx/filosofia. Responsible editor: Jesús Turiso Sebastián. Exclusive Use Rights Reservation No. 04-2008-121012511200-203, granted by the Copyright Reservation Directorate of the National Institute of Copyright of the Secretariat of Public Education, ISSN: 2007-1868. Responsible for the last modification of this issue: Jesús Turiso Sebastián, Tuxpan, No. 29, Frac. Veracruz, C.P. 91020, date of last modification August 5, 2011. Distribution and digital support by the Academic Software Development Department of the Universidad Veracruzana.
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